![]() He said of the song, "it sounds like such an introduction, it sounds like you pick right back up where we left off ten years ago", referring to the 2010 release of Man on the Moon II: The Legend of Mr. In an interview with Zane Lowe, Kid Cudi stated that "Tequila Shots" was the first song he made for Man on the Moon III which he finished before even deciding to make the album. The song was later included on Cudi’s first greatest hits album The Boy Who Flew to the Moon, Vol. In June 2022, the song reached platinum status, selling over 1 million units in the US. The song was produced by Dot da Genius, Take a Daytrip and Cudi himself. " Tequila Shots" is a song by American rapper Kid Cudi, released on Decemas part of his seventh studio album Man on the Moon III: The Chosen. This, though, is the sound of two artists looking back over the vast distance they’ve travelled so far.From the album Man on the Moon III: The Chosen On ‘Reborn’ – which rides a brilliant, brittle, staccato beat – the duo instructs us to “ keep moving forward”. It sounds, suitably, ghostly and supernatural – a brief glimpse into another world. The message is clear: it’s okay to not feel okay.Ī seven-track album (it’s Kanye’s current obsession both ‘ye’ and ‘Daytona’ ran to the same length) can hardly help but feel slight, though the brevity actually suits this collaborative record. Here it sounds defiant: “Guess what, baby? I feel freeee!” Elsewhere on the album, lyrics allude to “ pain” and being “ lost”. ![]() On the original, emo rapper 070 Shake belts out the line “And nothing hurts any more / I feel kind of free” in the manner of a vintage soul singer there is jubilant release. Another stand-out forms the chorus of ‘Freee (Ghost Town Pt.2’), which recycles a moment from the ‘ye’ track ‘Ghost Town’. ![]() There’s a call-and-response between the lyrics “ Lord shine your light on me” and backing vocals that implore, “ Stay strong”, while a calming wash of synth ebbs away in the background. The stand-out moment of ‘Kids See Ghosts’ occurs just past the mid-way point of the finale track, ‘Cudi Montage’. They have helped to shape a world in which rappers can lay bare their vulnerabilities and address issues such as mental health – a world that gave us Vic Mensa’s 2017 debut and saw Jay-Z return with ‘4.44’, a bald mea culpa that wilfully exposed his fragile masculinity – and here they unite to issue an almost uniquely meditative, self-accepting album. This is the sound of Kanye and Cudi catching up with themselves. It’s characterised by the ethereal, low-key beats and off-kilter, barely in-tune singing that have been Cudi’s trademark since his emotional 2008 mixtape ‘A Kid Named Cudi’ influenced Kanye’s introspective and ice-cold ‘808s & Heartbreak’, which in turn influenced the likes of Drake and The Weeknd. ![]() The former artist will take the lion’s share of the headlines around the project, given that it’s the third release he’s been deeply involved with this month – there was, of course, Kanye’s solo record, ‘ye’, and the Pusha T album ‘Daytona’, which he produced – but, actually, this is Cudi’s album through and through. There is a calmness to the debut album from Kids Sees Ghosts, the new collaboration between Kanye West and Cleveland, Ohio, rapper Kid Cudi.
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